събота, 25 януари 2014 г.

Short Story: The Question of Right and Wrong

I don’t think it was depression. It was just the general realization that I was doing something terribly important terribly wrong. And that I was feeling terribly right doing it that way.
                You see, it was a matter of freedom. I had it, and I didn’t. But even when I truly did, I felt as if I was wasting it. The others… they took advantage of it to the most. They were living. They were dancing, and I was feeling the gap gaping inside my chest pulling me back and building a wall between us. I was watching them when they couldn’t see me, and I envied them, for they were filling the gaps that I believed gaped within anyone’s heart with cheap alcohol and fooling their bodies and the chemistry controlling them into believing they were happy. I don’t know if they were – they might have been – but in my heart there was a storm and for me their shouts above the sounds of the music were cries for help neither of them heard.
                And yet they were living. I looked down and on my palms I saw the roots of my life crossing the pink skin of my hands. Those hands held it all – my life, my soul, my abyss and my salvation; they held my freedom and my slavery. I put my hands up to my ears and listened. I listened to what my hands had to say about my life, but I forgot to close my eyes, which saw them happy with liquor. And I envied them again, and I could hear only their music but not my hands, and I was lost once more.
                My eyes wanted to follow them and were locked on the key to their happiness. It looked easy and yet utterly impossible. The way their bodies move and the game of light and shadows that fell on their skin and hair, the way they thrust their own hands against each other and connected in the wild rhythm was like a prism to me, capturing me, mesmerizing me, horrifying me. My eyes pulled me forward, but my body stayed sitting still. My hands weren’t connecting with anybody’s and never had. The silver lines glistened lonely in the darkness of the colorful lights and asked for a companion. And I reached forward to hold on to one, but my body still stood sitting.
                I grew angry with myself and my silly body. The answer was right there in front of me; the answer was sold on shelves in glass bottles; the answer was pounding in between the sweat and breath of the dance floor; the answer was in the air they breathed. The gap felt enormous inside my chest and I wanted to fill it. But my body didn’t respond.
                I closed my eyes and frustrated lifted hands to ears once more. And the sound of the life nectar running through my roots overwhelmed me. No other liquor was to be needed. They, the roots from my past leading me to my future, were louder than anything shouting in my ears Don’t!
                And I didn’t. I just sat there and watched them move. And they saw me sitting and smirked disgusted at my empty of sweat face and the quiet innocence of my lips. And they grasped each other’s hands but didn’t connect, they had lost their connection. And again I wondered if they were happy that way.
                I sat quietly and wondered if I was doing it wrong that thing, you know, living. And if I was using my freedom to the most and if I wouldn’t regret it in fifty years. And I knew that when we went back they would tell me the epic stories of happy drunkenness and funny deliriousness and that then again I would wonder the same thing. If I was doing it wrong that thing, living.
                Thinking of that I got up and backed away. I went out to celebrate the cool night air and mesmerize my silly eyes with the sight of the stars. I didn’t hear their music, but they didn’t hear mine. And my hands glistened with a strange light. I breathed in and let the scent of the world fill my lungs, and my lungs were so close to my heart, and the gap started filling, and my hands let go of the abyss for the night and let me dance with the sound of billions of hearts pounding along with mine.

                The question of what was right and wrong, I knew, was to arise many times again, but that night it didn’t matter. That night I was crazy; that night I was drunk with life and delirious with freedom; that night I was part of everything and everything was part of me; that night I was magic, and the world was wonderful. I sang, and I danced, and I laughed until I was out of breath and beyond. And when I was done, there was not a question left. If I was doing it wrong, I still wouldn’t change it. My happiness was harder to find, as it wasn’t sold in bottles, but that night I had it in the palms of my hands.

петък, 24 януари 2014 г.

Пътепис: Чанг Май, Тайланд

Не вярвах в машини на времето, докато не дойдох в Чанг Май. тук хората са различни и колите са от миналото. Сградите са стари и социалистически без действително да са нито стари, нито социалистически. Чанг Май е хладен и бавен, и отпуснат, и невероятен. И не обичам Чанг Май, както обичам Барселона или Берлин, но го обичам по един по-спокоен, по-естествен начин. Тук мога да дишам, а дъждът е тропически. И не оценяш колко е силен и опасен, и обсебващ, докато не започнеш да яздиш слон във водите на бързата кафява река. И няма водопади, когато вали, защото няма реки и няма пътища, а всички се движат във водата. Хората са малко луди и малко пияни, и може би дори малко... нещо друго. Но няма да го разбереш, докато не те избутат от рафта или не хвърлят змия по теб. Добре че поне животните са с всичкия си! Иначе целувките с крокодила или питона, или тигъра биха били твърде опасни. Но всичко ще е наред, ако си намериш един Антъни, който да те заведе до върха на планината или до храма, някъде там, и да те нахрани с пържени червеи. Намери си един Антъни - струва си. После се качи на мръсните стъпала на изоставена сграда, за да оцениш спокойствието на света от един покрив и през музиката на тези, които никога няма да напуснат. Не се напивай в Чанг Май, защото си заслужава да го запомниш. И си отваряй очите, защото салфетките ще ти казват да спасиш света, захарчетата - да се усмихваш, кафенетата - да продължиш напред, а банкоматите - да опростиш живота си. Философия има във всичко, предполагам. А когато идеш на някой от нощните пазари и базари, забрави най-добре за парите - там те и без друго нямат сила над желанията и покупките. И не забравяй да оцениш рибите и хората, които те забелязват. И макар че можеш, не пиши по всички стени в Чанг Май - остави място и за тези, които ще дойдат след теб. 
Научи се да псуваш. Научи се да псуваш и изплюй всичката горчивина, която си събрал - тя не ти трябва тук. Псувай на воля и се отпусни, и слушай дъжда, и се наслаждавай на живота. Припомни си регето и изпий една вода на площада. И не се страхувай, ако искаш да се усмихнеш или ако не си се усмихвал от много време. Усмихни се на непознатия и се влюби в него и всяка мисъл за него остави да те ощастливява, докато накрая не се почувстваш у дома. Да живееш в Чанг Май не е най-лошото нещо, което може да случи, дори и да е само за седмица.

четвъртък, 16 януари 2014 г.

Movie Review: Across the Universe (2007)

Director: Julie Taymor
Across the Universe is so much more than the ordinary musical. The music implemented in it is not simply a means of expressing a character’s words instead of mainstream lines – the music goes much deeper than that. It sets the moods, shows the viewer an insight to the character’s thoughts and feelings, and, what is most impressive, weaves additional, smaller stories into the big picture. It is hard to say whether the Beatles’ songs complement the plot or the other way around, but in the end of the day the combination of the two is spectacular.
This movie gave me goose-bumps, made me cry, and laugh, and dream. It is beautiful beyond limitation while describing a very contrasting part of the American history – the war in Vietnam. It also gives very different aspects to the story showing the lives not only of the soldiers or the hippies fighting for peace, but also of all the different people around them, each with his own story and each somehow involved in those events although not directly. Even though some of the characters portray stereotypes of the time, each of them is somehow surprising and showing himself as different and free to follow his own path instead of the mass movement.
Another thing that particularly appealed to me was that even though there is strong love story, it is not the main topic of the movie and it’s not what everything revolves around. The balance between the different themes is fantastic, and I believe that the Julie Taymor has done an amazing job directing this movie, focusing in a unique way on all of its issues.