понеделник, 25 ноември 2013 г.

Movie Review: Percy Jackson: Sea of Monsters (2013)

When talking about contemporary fantasy movies like Percy Jackson, one should take and appreciate them for what the film is without looking for hidden meanings and deeper plot. Sea of Monsters is fun, interesting, engaging and, more or less, educating, as it revolves a lot around Greek mythology. However, with the first movie, which came out in 2010 Percy Jackson & The Olympians: The Lightning Thief, the producers set the tide quite high… perhaps even too high for Percy Jackson: Sea of Monsters. And it’s not that the film is bad; it’s just that it’s not as good as its ancestor. The Lightning Thief was very thorough in establishing the whole idea of gods and half-bloods and mythical creatures living amongst us, so that even in its humorous moments it felt somewhat epic and future-making. And while Sea of Monsters was really funny and the level of humor in the dialogues was brought to a whole new level, the story moved at a way too fast of a pace for the epic-ness to be felt. Having read the book sequence, I realize what a challenge it’d be to squeeze in so much emotion and heroism and adventure in a two-hour movie (106 minutes to be more accurate), but they did it once…

Watching Percy Jackson: Sea of Monsters didn’t really change my life and outlook, but it wasn’t a waste of time, either. It was enjoyable and funny; it had the action, it had the story, it had the dialogues. And even though it didn’t meet my expectations, it’s a good film in its own way. 

събота, 23 ноември 2013 г.

Movie Review: The Hunger Games: Catching Fire (2013)

It doesn’t happen all that often for me to say that in a movie sequence the second movie is better than the first one; this, however, is the case with The Hunger Games. While there was a lot to take in in the first movie, getting used to the environment and starting to understand that dystopian society the characters live in, the second movie was, in that matter, a lot simpler for two obvious reasons. First of all, we’ve seen it all before, we know what the hunger games are all about and why they are held, we know about the districts and the relations between the characters and, hopefully, we’re past the question “Who was that guy again?” Secondly, this movie was much more realistic in terms of ridiculing the society we live in. Almost everything could be related to things that are happening in the world concerning desperation, revolution, government control and the role of media. In this second movie, The Hunger Games more or less resembles George Orwell’s 1984, as everything you do is being recorded, and Cory Doctorow’s Little Brother, as what is recorded is manipulated and presented to the media into creating an image that may not reflect reality at all.
(Not too much but still) Surprisingly, the whole movie is all about a revolution or a desperate cry to putting an end to fear, famine and destructive hatred. There is a lot of irony in it, cleverly pointed out by the dialogues between the characters, which is only to show to what extend basic human rights are suspended in a seemingly (oh well, maybe not that much) free society. It’s also about team work and what happens when desperate but still strong people unite towards a common cause.

It’s a beautiful, smart and well thought of movie. It has its own philosophy and it leaves room for personal interpretation, while in the same time presents a moving personal story. I would definitely recommend it to anyone, and if you still haven’t seen the first Hunger Games, I suggest you get down right to it.

понеделник, 18 ноември 2013 г.

Poem: TS

Out of sight, out of mind
But I thought that you would stay

I heard the bells chime and I saw the smile on your face
And doves flew and laughter flickered
And the music spread its grace

Your voice was strong but empty
Your words weren’t yours
You smiled but didn’t feel it
And then you were gone

The second time you left
It was worse;
My breath was lost
And I was faithless

And it didn’t make sense
You hadn’t said that you loved me
And yet doves had flown and music had spread
Nevertheless

Out of sight, out of mind
And the memory fades away
And doves don’t fly
And I can’t see your face anywhere

събота, 16 ноември 2013 г.

Movie Review: 50/50 (2011)

50/50 is a true masterpiece of the art of cinema. It combines a beautiful, heartfelt story, written by Will Reiser, with the brilliand directing of Jonathan Levine and the amazing acting skills of Joseph Gordon-Levitt.
Usually I'm a hard moview viewer, as I get distracted easily, but this picture held my attention from the very beginning to the very end. Everything in it felt natural and real, no overacting or overdirecting - the beauty of its simplicity is what makes it unique. We've all read or seen sad (fiction) stories about people living with cancer and having their life at risk every day, but this film was different. It didn't have the grand love story or the great revelation about the meaning of life. It was about coping with the truth. And about not giving up even when it's okay to give in. It's about the real relationships between people and how they're influenced by tragic events. But what I liked most about it was that despite the fact that the storyline is following the main character, the impact his illness has on his family and friends wasn't left out of the picture.
This movie made me cry. And it made me understand.
And this is not a film about cancer. And it's not about death either. It's about living. And fear. And courage. And expectations, and love, and support. It's about life at its darkest moments. It's about life with all of its flaws and drawbacks, as wells as its miracles and wonders. It's about looking for happiness and looking forward to the future when there is no future.
50/50 is one of the most beautiful movies I've ever seen and I would recommend it to anyone. It gave me an absolutely new outlook on the world and the people living in it.

Short Story: Onlooker


It was so many years ago, but I still keep that picture in my head. I wear it like a tattoo engraved on the back of my eyelids so I see it every time I close my eyes.
I was sitting at a bus stop, not quite sure what I was looking for, for it was my first time in that foreign and so exotic country; I was both looking for everything and nothing in particular at the same time. I was just sitting, resting, and waiting for something to happen.
It was a burning hot day. At the time I was at that bus stop it was about noon and the sun was blazing relentlessly. I could feel the small drops of salty sweat drip down my forehead, or break out around my neck. I used a small brochure for a local restaurant as a handmade fan to try to cool down a bit, but unfortunately, it turned out useless.
And then I saw them on my left. A girl wrapped in a long grey trench coat, her head covered with a veil and only her face visible. For a moment there I could not help but wonder how she could not be hot. I was dressed in nothing but a T-shirt and shorts and could die from the great heat, and she was wearing a bloody coat! But then I noticed the young man standing beside her, looking her in the eyes and gently caressing her skin. And then it was all clear to me. The weather was of no importance to those two!
What struck me most, however, was how very young they were. And they looked so in love. In a place where their love couldn’t be showed, couldn’t be screamed out loud the way every love should be, couldn’t be introduced to the world without meeting rejections, false expectations, and rules to stick to, they loved each other. It was as simple as that. Every their move expressed that love in the most sensitive way. They talked in whispers as if their words were too precious for anyone else to hear; or maybe they didn’t speak at all, for maybe their looks, their endearments were just enough to talk louder than any word ever coined in any language human race’s ever known.
“We have to go,” my friend called from my other side. He was a sort of my guide there and he was going to show me some amazing view and sceneries that day. What he’ll never know, however, is what I remember best. It isn’t a museum, or a church, or a mosque; it’s not a building at all. It’s one moment shared with two strangers. I’ll never get to know them; I’ll never find out their names, and I’ll never hear their stories. They’ll never know me either. But they’ll always be special to me, because they shared not just one simple meaningless moment of their lives with me – they shared their love. And that has to mean something.

Right?

Къс разказ: "Дъжд"

         Светът барабани отново по прозореца ми под формата на капчици дъжд. Беше ме забравил за известно време, заменен от опожаряващо слънце, жадни звезди и ясно небе без облаци, без край, без прегради. Уморително е да гледаш безкрая… а и е толкова скучно! А виж, дъждът е различно нещо.
         Слушам замислена приказките на капките. А те как се надвикват! В главата ми настава хаос, суматоха. Вече не различавам гласчето на една от това на друга – всички крякат безразборно, приказват клюкарките, а горко му на оня, който ги слуша. Опитвам се да хващам отделните думи, да ги записвам с бързи пръсчета по тракащата клавиатура без да влагам много мисъл в написаното. Просто думи по белия лист. Ала те бягат дяволите и се налага да ги олавям за опашките и да ги дърпам назад. Затова и понякога написаното няма много смисъл – защото е записано отзад напред; няма смисъл, а и трудно се чете.
         Трия всичко и започвам отначало. Слушам, пиша, трия. И пак отново. Слушам, пиша, трия.
         Става ми досадно да повтарям всичко все отначало. Писва ми. Кара ме да се чувствам глупава пък дори и тъпа.
         Трия думите, този път бавно, за да усещам как всяка една изчезва в бяздната на онзи тъмен океан от мисли, затворен в главата ми. Изключвам програмата и пускам щорите. Вече не виждам дъжда, но продължавам да го чувам. Разказите на капките се сливат бавно в едно цяло, една завършена история, изплетена от стотици нишки. Слушам внимателно, не го прекъсвам, не пиша. Просто слушам. Запомням мълчаливо, каквото мога, и го чакам да приключи. Ала дъждът се смесва с вятъра, а вятърът има много да разкаже – той е пътувал надалеч и е видял свят. Нетърпеливо и той започва да говори, заглушавайки дъждът, отмивайки го, отпращайки го. И аз вече не го чувам.
         Поемам въздух и леко притеснена отново стартирам програмата. Отделям минута, за да си припомня чутото, и започвам да пиша. Пиша ли пиша, докато историята не свършва. Но не в края, както трябва, а в самата кулминация, в средата, в сърцето, защото аз не зная цялата история – тя приключи преди да бъде разказана цялата.
         Спирам за момент и мисля. Препрочита написаното отново и отново, молейки се самò да продължи нататък. Любопитство изгаря кожата ми, примесва се с кръвта ми и потича във вените. Аз трябва да знам какво става после, какво се случва с героите. Трябва да знам, ала не зная.
         Ставам и зопочвам трескаво да ровя из книгите по рафтовете. Там, все в някоя от тях, трябва да се крие отговорът, продължението, краят. Все някой трябва да се е сетил да го запише преди мен. Не може аз да съм единствената да чуе историята – все пак дъждът вали над целия град, нали? Ала кой ли слуша…
         Препрочитам отново познатите страници на познатите книги. Не веднъж и дваж съм ги търсила за помощ, когато дъждът предател си тръгне преди края на приказката. Но те никога не съдържат отговора. Не и правилният поне. Защото продължението го знам само аз и това вече не е история, чута някъде - това е история, сътворена от мен.
         Сядам спокойно в мекия стол и отпускам ръце върху клавиатурата. Затварям очи и започвам да пиша. Без да мисля. Просто движа енергично пръсти без да гледам резултата. Ще дойде и време, когато ще прочета написаното. Но още не съм стигнала до там. Сега просто пиша.
         Пиша, пиша, пиша.
         И вече нямам какво повече да кажа. Чувствам се изцедена и от последната дума, плаваща из съзнанието ми. Тялото ми е празно, мислите ми са празни, аз съм празна. Аз съм вече никой и всичко, което съм, е само един разказ, излязал изпод пръстите на ръцете ми.

         Внимателно натискам бутона за запазване и затварям програмата. Дърпам щорите, облягам се назад и се вглеждам в небето. То е светло отново. Светло и безкрайно. Ще мине пак доста време преди следващия дъжд от думи. 

Short Story: As Long As He Can Pay

“Give them show,” she says. “Give them something they will never forget, give them something they’ll desire. Give them love, give them a kiss, give them lust. Then give them jealousy and passion. Allow them to forget their little pathetic lives and live yours for an hour or so. Go out there and be their star, be their idol. Let them adore you, my precious.”
          She fixes my make-up for a millionth time and looks critically at my costume again. The corset is too tight and it is hard to breathe in it, my thighs are literally nude and the hat that rests upon my head is as heavy as a hammer. She knows it is difficult for me to walk like that and enjoys it. To make things even worse, she hands me a pair of high red heels and orders, “Wear them!” 
         I have no choice but to do what I am told. I am a simple, I’d even say an average actress who is given a script she has to learn by heart and obey every director’s decision. And I have to be grateful of course, because I’m from the few lucky girls who managed to find a job. An actress I call myself, but they don’t pay me to act. What I’m paid for is to be a… well, to be a courtesan, a fancy-lady. My job is to give pleasure, to fulfill both eye and imagination.
         So I go on the stage every night dressed in hardly anything and I act as if I enjoy it.
         And she’s our boss – our director, our choreographer, and manager. She says she’s created us, that without her we’re nothing, we couldn’t handle ourselves… she’s probably right. But she takes odd pleasure in torturing us every evening, in pushing us to go further, show more…
         It’s like she envies our youth and beauty, for she’s just an old woman bond to stay alone till the rest of her days.
         She holds me backstage every evening until he comes. Then, while tightening the corset she gives me all that beautiful talk about the stage, and the lights, and the show, and me being a star. And afterwards she kicks me out and goes to tell the exact same things to another girl.
         I know my job and I don’t need further instructions. Every evening I go to his table, walking slowly and gracefully, I sit beside him, I light a cigar and laying a hand upon his hip I ask him, “Is this the night?” he looks at me then, every evening with the same look on his face and says NO. Then he takes out a newspaper and starts reading it while I enjoy the show the other girls carry out.
         I don’t know why he does it. Every given night. And I don’t know why he always asks to see me – it’s not like I’m any different from the other “actresses”. I’m not prettier, nor more talented, nor more seductive. I just do what I have to do for the living. What I do know, however, is that every evening, at eleven sharp, he rises from his chair and hands me an envelope full of money – lots of it. Then he leaves.
         Maybe that’s why she’s still keeping me – because he pays best and wants just me. And she hates me for that, for she’s about his age and he’s the kind of man she’d call handsome. She’d take him if she could, if he wanted her. But he doesn’t. He pays to see me. He buys a small piece of me every night so as no one else could – he’d pay less if I’ve been with anyone else.
         So tonight again has come the time for me to “shine”. I walk toward him almost naked, sit down and light a cigar. I rest my hand on his hip and ask him if it’s the night, secretly looking for his newspaper. But there’s no paper tonight. He takes his hat off, looks me in the eye and in a deep voice answers YES. I’m confused. The pattern’s changed, the pattern’s gone. He’s destroyed it. I don’t know what to expect now. It’s the first time since I started working here that he’s changed his reply. It’s the first night I’ll have to actually earn my money by being what I am – a fancy-lady.
         He’s old and the very thought of touching him, of him touching me disgusts me. I open my mouth to ask for help, but realize there’s nobody to offer it.
         “How are you feeling?” he asks, piercing me with his green eyes. It’s almost scary to look at them given mine are almost the same. “Do they pay you well here?” I’m nodding. “And they treat you right?” I’m nodding again.
         He looks worried and looks down as he asks his next question, “Am I your only customer?” I don’t know how to answer. Have I been with a customer before? No. But I’ve taken parts in other girls’ shows.
         “Yes,” I say after a moment of hesitation.
         “Good,” he smiles and stretches his arms to hug me. “Then maybe after all I could help you somehow, couldn’t I? Happy birthday…, my little angel! It’s sad we meet like this, but it’s high time you found out I’m your father. I’m sorry for not being there for you all these years, but I discovered you existed just a few months ago. I wanted to tell you right away, but I feared you wouldn’t accept me. The least I could do was to keep you away from those men who come here to taste the sin. Now, will you come with me, my child, to celebrate your birthday? Will you come, Rosalie?”
         “Give them show,” she had said. I remember the curve of her rose-red lips when she said it. “Give them show.”
         I’m an actress and my job is to make people believe what they want to believe.

         It’s not my birthday today. And my father’s dead. My name is Bethany, but I can be Rose, Rosalie, or Rosalyn if he wishes… as long as he can pay.

Short Story: A Cup of Coffee

         This time I’m alone. It hasn’t been like that for ages. And although so many years have passed this place is still the same. The small couches look a bit older and the metal tables - a bit rusty and the big windows - a bit dirtier, but otherwise it’s all the same. Even Clarisse the waitress still works here. Man, she’s old! Maybe she and her many wrinkles make the only visible difference here and show obviously that some time has passed.
         I can’t quite recall the last time I came here, but I know for certain it was sixteen years ago. I sat at this same table with a cup of green tea in front of me looking at the pitch black eyes of my twin-brother. We were so alike even though his hair was longer than mine. He smiled less and thought more, he was the smart one, the one with bright future and big dreams and great expectations. And who was I? I was the disappointment. Our mother would always say, “Why can’t you more like your brother?”
         It’s funny she hasn’t said that lately.
         Back then we’d spend every Saturday morning in that cafeteria, him drinking black coffee and green tea for me. But I couldn’t know that day was the last time I’d ever see him.
         I remember the way he smiled on his way out. As if he knew what was about to happen. And he’d accepted that. He had moved on. To where?
         I still wonder.
         He left without saying goodbye. That smile was all I got.
         And then, just outside the cafeteria, while he was crossing the street he stopped and looked at me. I saw his face, and I first thought he’d forgotten something. But then he went all white, and his eyes were blind, and he was no more looking at me, for he was looking at air itself and trying to get some into his body. But couldn’t. I caught this particular moment when he realized he couldn’t do anything to help himself – he couldn’t scream; he couldn’t wave; he couldn’t even cross the street to get to its other end. He just stood there, in the middle, and cars were going by him without paying much attention to what was going on.
         I jumped on my feet. For a second I didn’t know should I run and try to help him, or should I just stay. For there was nothing I could do. And then I realized I couldn’t move either. For my soul had long left the cafeteria and had gone to him and had held him straight, helping him not to fall down and get hit by a car. But one soul cannot bare such a weight alone. And his was gone.
         It all happened very quickly afterwards – a sudden blink and a loss of control, of balance; a step aside and then falling; cool asphalt against the face and the smell of car fuel; darkness. A woman cried. A driver stopped in the middle of the street to prevent him from being run over. An ambulance was called.
         But it was too late. I knew it. I felt it. And all I could do was watch.
         He was sent into a hospital but I didn’t bother going there. The diagnosis did not interest me. I didn’t mind the reason; all that was important was the result. And the result was that my brother was gone.
         I left the cafeteria as a stranger. Everybody was the same, but then I wasn’t, so everyone seemed different to me.

         And I hadn’t come back here for sixteen years, for that was his… our age then. But it is time for a change… once every sixteen years. And as a beginning I’m going to drink a cup of coffee, for I’ve always hated coffee and loved tea.

Short Story: A Tale of Hope

        Some years ago a baby was born. It was a girl, and they named it Hope. Hope had two parents and many friends. And she had hopes and dreams and wishes and desires. And she was happy. She had a future as bright as the sun. She was smart and funny and as beautiful as the moon itself. And people adored her, for she was light, and light was heat, and heat was life.
        Hope was life.
        She grew into a lovely young lady. She was as fair as a fairy with long golden hair and soft brown eyes. She grew into a friend; she grew into a sister; she grew into love. But not love to one. She was Love itself - the very feeling of being alive.
        Hope was love, and love was life.
She gave people the sweetest pleasure there could ever be – she added meaning to their lives and showed them all of its miracles and beauty. And then life wouldn’t be simply existence any more – it would be adventure. And people would taste, and people would hear, and people would see, and people would feel it that way, and they’d be happy.
        Hope was happiness. And happiness was love, and love was life.
        And one day this fairy child met Taint in the eye of a stranger. She couldn’t recognize it at first. But it was there. It tempted her into greeting the stranger; it seduced her into smiling at him. And Hope was love, and she felt it then – love for the stranger who meant her only trouble. For she believed all the people were good, and she was happy with that thought.
        And then Hope was wrong.
        The stranger wasn’t good nor kind-hearted. He was destruction and war and fire. Fire was heat but wasn’t life. It wasn’t light; it wasn’t softness. It didn’t possess the joy of a sun ray or the mildness of the moon. No. Fire was an element, and Light was a feeling. The one exists in the beast, the other – in the human.
        Hope didn’t know Taint.
        But Taint didn’t know Hope either.

        Hope reached to kiss him; Taint reached to kill her, neither of them knowing the power of the other. And thus they weaved each other into a deadly hug. They then became both goodness and evil, both life and death. In Taint some hopes were born and in Hope - some dark thoughts. And together they were perfect – for no one deserves to be only bad, but it’s too hard to be just good. 

Short Story: A Tale of Hope

        Some years ago a baby was born. It was a girl, and they named it Hope. Hope had two parents and many friends. And she had hopes and dreams and wishes and desires. And she was happy. She had a future as bright as the sun. She was smart and funny and as beautiful as the moon itself. And people adored her, for she was light, and light was heat, and heat was life.
        Hope was life.
        She grew into a lovely young lady. She was as fair as a fairy with long golden hair and soft brown eyes. She grew into a friend; she grew into a sister; she grew into love. But not love to one. She was Love itself - the very feeling of being alive.
        Hope was love, and love was life.
She gave people the sweetest pleasure there could ever be – she added meaning to their lives and showed them all of its miracles and beauty. And then life wouldn’t be simply existence any more – it would be adventure. And people would taste, and people would hear, and people would see, and people would feel it that way, and they’d be happy.
        Hope was happiness. And happiness was love, and love was life.
        And one day this fairy child met Taint in the eye of a stranger. She couldn’t recognize it at first. But it was there. It tempted her into greeting the stranger; it seduced her into smiling at him. And Hope was love, and she felt it then – love for the stranger who meant her only trouble. For she believed all the people were good, and she was happy with that thought.
        And then Hope was wrong.
        The stranger wasn’t good nor kind-hearted. He was destruction and war and fire. Fire was heat but wasn’t life. It wasn’t light; it wasn’t softness. It didn’t possess the joy of a sun ray or the mildness of the moon. No. Fire was an element, and Light was a feeling. The one exists in the beast, the other – in the human.
        Hope didn’t know Taint.
        But Taint didn’t know Hope either.

        Hope reached to kiss him; Taint reached to kill her, neither of them knowing the power of the other. And thus they weaved each other into a deadly hug. They then became both goodness and evil, both life and death. In Taint some hopes were born and in Hope - some dark thoughts. And together they were perfect – for no one deserves to be only bad, but it’s too hard to be just good. 

Short Story: I'll Be Home for Dinner

         I’ve always considered myself a brave man, never afraid to walk alone at night, to pass dark alleys and watch misty eyes scrutinizing me from behind the corner. I’ve always held my head high and took pride in everything I’ve done.
         I’m like steel – rough, tough, soulless.
         I’m usually the bad guy in your movie, the one you hate, the one you despise. If we were to bet who’s dying tonight, I’d place my bets with you on my competitor and hope for him to win… hope for him to win the battle and for me to win the bet. But I’ve lost lots of money like this, and you’re about to do the same. Because this is not how the movie goes; not now, not ever. In the end, I’m always the one holding the gun, the one pulling the trigger. I’m the one to feel the heart stop beating and the body go cold. I’m the one digging a grave every night, and I’m the one to fill it.
         I told you, I’m the bad guy.
         Every night I go out with a piece f paper and a name on it. It could be your name, your wife’s name or your child’s; or it could be of somebody you’ve never met, and you’ll never know. It’s so very simple really.
         I read the name. I go out. I find the person, and then BAM!
         A gun. A bullet. A target.
         A victim and a killer.
         People.
         Alive breathing creatures fighting for another breath, fighting for their right… no, for the privilege to live.
         A battle with a notified end.
         It’s not fair; it never is.
         I know how the scene ends, and so do you; and so does he.
         He fights back. There’s no time for giving up. The clock is ticking.
TIC TOC TIC TOK TIK TOK TIK TOK TIK TOK TIK TOK TIK TOK TIK TOK
         Time’s up.
         A gun shot.
         The end.
         But the story doesn’t end here because there’s been a mistake. ‘People’ I said, but we’re with none left. One died, and one’s left, but can I be considered the same?
         Animals don’t kill their own kind. Not without a reason, with no motive.
         Money’s nothing; it means nothing; it equals nothing.
         So I killed for nothing? What kind of a person does that?
         No person does that.
         But I already told you - I’m a proud man. I don’t stoop, and I don’t apologize. I’m a good dog, and I do what I’m told to; I’m like a robot, like a machine, and I work as I’ve been programmed.
         But there’s a part of the story you didn’t hear, the part which’s been tearing me apart.
         I read the name. I go out… But no, it’s not true. It’s a lie! I don’t go out, not like that. Because I’m not an animal! Every night when I read that name on the paper, every night before I hit the streets, I look up in the eyes of my beautiful daughter, and I tell her, “I’ll be home for dinner, baby; I’ll be home soon.” I tell her that, and then I walk out the door, and I come for you.
         She’ll never know. She can never know.
         You know the rest of the story.
Gunpowder.
Blood.
                            Dirt.
                                      Shaking hands in the running water.
                                      Dusty clothes in the washing machine.
                                      No trace left.
                                      Not a clue.
For she’ll never know, and I’ll always be home for dinner.

Short Story: I'll Be Home for Dinner

         I’ve always considered myself a brave man, never afraid to walk alone at night, to pass dark alleys and watch misty eyes scrutinizing me from behind the corner. I’ve always held my head high and took pride in everything I’ve done.
         I’m like steel – rough, tough, soulless.
         I’m usually the bad guy in your movie, the one you hate, the one you despise. If we were to bet who’s dying tonight, I’d place my bets with you on my competitor and hope for him to win… hope for him to win the battle and for me to win the bet. But I’ve lost lots of money like this, and you’re about to do the same. Because this is not how the movie goes; not now, not ever. In the end, I’m always the one holding the gun, the one pulling the trigger. I’m the one to feel the heart stop beating and the body go cold. I’m the one digging a grave every night, and I’m the one to fill it.
         I told you, I’m the bad guy.
         Every night I go out with a piece f paper and a name on it. It could be your name, your wife’s name or your child’s; or it could be of somebody you’ve never met, and you’ll never know. It’s so very simple really.
         I read the name. I go out. I find the person, and then BAM!
         A gun. A bullet. A target.
         A victim and a killer.
         People.
         Alive breathing creatures fighting for another breath, fighting for their right… no, for the privilege to live.
         A battle with a notified end.
         It’s not fair; it never is.
         I know how the scene ends, and so do you; and so does he.
         He fights back. There’s no time for giving up. The clock is ticking.
TIC TOC TIC TOK TIK TOK TIK TOK TIK TOK TIK TOK TIK TOK TIK TOK
         Time’s up.
         A gun shot.
         The end.
         But the story doesn’t end here because there’s been a mistake. ‘People’ I said, but we’re with none left. One died, and one’s left, but can I be considered the same?
         Animals don’t kill their own kind. Not without a reason, with no motive.
         Money’s nothing; it means nothing; it equals nothing.
         So I killed for nothing? What kind of a person does that?
         No person does that.
         But I already told you - I’m a proud man. I don’t stoop, and I don’t apologize. I’m a good dog, and I do what I’m told to; I’m like a robot, like a machine, and I work as I’ve been programmed.
         But there’s a part of the story you didn’t hear, the part which’s been tearing me apart.
         I read the name. I go out… But no, it’s not true. It’s a lie! I don’t go out, not like that. Because I’m not an animal! Every night when I read that name on the paper, every night before I hit the streets, I look up in the eyes of my beautiful daughter, and I tell her, “I’ll be home for dinner, baby; I’ll be home soon.” I tell her that, and then I walk out the door, and I come for you.
         She’ll never know. She can never know.
         You know the rest of the story.
Gunpowder.
Blood.
                            Dirt.
                                      Shaking hands in the running water.
                                      Dusty clothes in the washing machine.
                                      No trace left.
                                      Not a clue.
For she’ll never know, and I’ll always be home for dinner.

Short Story: Kiss Me Goodbye

“We’ll never meet again,” she said without hesitation.
She put on her white dress, looking perfectly innocent, and looked back at his naked body. He was still lying on the mattress, covered only by a thin white but dirty sheet. His eyes were examining her body - the way it moved, the way she walked, the way she talked. Despite the dress he could still see her nipples from under the cloth. He wished to stand up, hold her in his arms, feel the scent of her hair and the warmth on her skin. But there he stood lying and just admiring.
“You say this every time,” he said
“Now I mean it.”
“I’ve heard that too before.”
She fastened her hair into a pony-tail and started looking for her shoes. She appeared like a little girl that has got lost in the big wild world. But she had no fear of the world; there was a sparkle in her eyes every time she came to him that reminded of some hidden beauty and courage.
For the very fact she was there showed her courage.
She had no business with him. She was the Little Red Riding Hood, and he was the Bad Wolf. She had to be careful. And that’s why she always promised never to come back. Every time.
But she always did.
He lit a cigarette and stood up.
“What are you looking for?” he asked with amusement.
“A way out.”
“It’s not like I’m keeping you here.”
She found a shoe and didn’t answer. She threw a pair of pants at him and made a gesture so as to show him to cover himself.
“I’m not ashamed of you, beauty” he said.
“But I am.”
“Of me or of yourself?”
She turned to face him. She already had the two shoes in her hands but wouldn’t put them on.
“I won’t come back this time.”
“Why should I believe you?” he asked. “What’s so different this time?”
She didn’t answer; she didn’t want to answer; she couldn’t answer.
She headed for the door but stopped suddenly.
“Will you kiss me goodbye?” she asked.
“I never kiss you goodbye.”
“It has never been a goodbye before.”
“Fine then,” he moved slowly toward her, “but I never just kiss you, do I? A kiss is never enough. I would kiss you, and then I would touch you, and then I would hold you, and then you wouldn’t be needing your shoes anymore.”
He said every word separately putting emphasis on each of them as he curled her hair around his fingers.
“I should go,” she said. “Goodbye.”
She left and he was just as surprised by her departure as he was when she first came. He stood motionlessly for a few moments staring at the door behind her, knowing something had changed.
“She’ll come back,” he whispered and went back to bed, waiting.

         She never did.

Poem: Applause, Please

You’re standing now straight
Straight and clapping
You want to smile, but can’t
Your face is frozen dead
You want to celebrate
But it’s not to celebrate, but it’s to cry
But you can’t cry, for it’s too late
Now clap!
Clap as I say!
Clap and applaud!
Clap at someone else
How is it to feel you could be there?
How does it feel to know you could be taking that bow
But instead you’re clapping at someone else?

Clap! Clap! Clap!
And once again
Clap!
How does it feel knowing
You could shine under the bright red sun light?
How does it feel hiding in shadows of your own shame,
Sitting in the dusty comfort of your chair
And clapping?

You’re too afraid to stand up and stand out?
Congratulations then!
You get the honor of clapping
But don’t worry, though
Soon it’ll be the only thing you can do
And then you won’t have to choose anymore

You’ll just applaud someone else
You’ll just watch the picture but never take participation
You’ll just clap while someone’s playing the story of your life,
While someone else is saying your words,
While someone else is making your choices

Soon

Now all you have to do is wait
Wait and clap

Until the play starts